Fuck You Em.

Significantly, what in the actual ay fuck are you doing at this time?

The latest single from MMLP2, “The Monster” (featuring Rihanna) is beyond disappointing.

What exactly is most harshly underwhelming - before I even get involved to details - can be how generic, and foreseen this song sounds. This really is supposed to be the next big pillar single from the sister recording to his conceptual, creative masterpiece, and this is what we all get?



It’s not bad songs. It’s just generic, plus doesn’t seem to make any kind of sense to be on MMLP2.

Em’s verses are great, the beat and the hook are usually placid and catchy sufficient; part of the problem is how inoffensively catchy and hum-de-la poptart the feel of this songs is. Which, in itself wouldn’t even be a huge concern if Em was really going in that musical path (and it was consistent throughout), but he’s not… he or she said he’s revisiting MMLP themes, this song does not even make sense sonically.

This particular song already sounds outrageous next to “Rap God”, they might as well be different albums. Or even more appropriately, “The Monster” ought to be on Recovery where this belongs. It’s like Na figures out a hit formula plus cannot help but make it across, which he’s generally done, but it’s therefore fucking blatant now.

: Airy, spacey slut attach.
- Simplistic introspective poems about nothing in particular yet always the struggles associated with fame.
- Pop-rock-soft-tempo defeat.

When attempting to come up with brand new songs for this project, brand new singles to rival plus contrast his most recognized, daring, original, bold, fascinating, hilarious, subversive, unexpected plus macabre masterpiece; where within Em’s brain did the idea surface “Hmm, well, I believe getting Rihanna to perform another broad hook (her 456000th this week mind you) which could have been on any kind of rap or pop recording in the past 5 years… combined with Recovery-style introspection and ‘overcoming my demons’, sticking to the particular ‘hit formula’ of sixteen exact bars… yep, this particular seems to be the absolute best I could do”. Good one Na.

And seriously - to the fans who say this particular doesn’t sound like Recovery… exactly what planet are you actually through.

What’s upsetting is that Na is willing to settle for universal choices now. And it is also annoying as bang how unambitious he appears to be now. I mean, he was your one who chose to ASK ALL OF US to compare this album in order to MMLP, he fucking entitled the album; where in the mind did he view across the singles for the first and then glance these brand new ones and think “Yeah… they match-up / are usually better”, to not even try a single concept is so uninspiring. Where’s the dare, the excitement?

He could write songs such as this in his sleep. But most of - FUCK YOU NA for putting this floral power song anywhere close to the album you rolled away from bed to decide to contact The Marshall Mathers LP 2 . This in no way revisits, mirrors or sounds like it really is at all related to anything regarding MMLP, it makes no feeling, it sounds like it’s the track lifted from T. o. B’s Strange Atmosphere with some cooler Recovery poems thrown over it. THIS is what we all waited 3 and a half yrs for?